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| We are "REDcentric" and specialize in Red Digital Cinema production and post-production workflows. We offer Red Epic-X and Red One-MX camera packages along with our stage. | ||||||||||||||||||||||||
| 15 minute drive from downtown San Francisco.
Lots of free un-restricted parking! |
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7,700 sq. ft. facility with 25' x 20' x 14' stage: 13' to lighting grid, green/blue screen, real-time Ultimatte hardware keying, 360˚ black infinity set, 600 amps / 3-phase power, lighting and grip. cranes, dollies, track, Steadicam, wind machine, control room, darkroom, shop, kitchen, solarium, office, make-up, dressing, shower, video / film editing,vehicle access, garden patio / pond. | |||||||||||||||||||||||
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| Our stage is very versitile; from instant green or blue screen at the flip of a switch (10' x 10' retro-reflective screen with dual-color LED light ring), to larger 10' x 20' full-body (including floor) green or blue screen, to 92' x 12' high of heavy black curtain for a 360˚ black infinity set, or slide the curtain aside to reveal a white wall to use as a large bounced light source. Set flats or custom fabrication available. | ||||||||||||||||||||||||
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| Electric:
600-amp 3-phase service with Camlock feed to stage. Twelve 20-amp circuits in Hughston Distro Box on stage floor. Twelve 20-amp circuits in lighting grid, 13' from floor. 3-phase dimmer, 50 amps per leg. Six-channel dimmer board, 1200 watts per channel. |
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| An example of some of our "stage furniture":
A Mitchell Gear Head mounted on a Fearless Panaram Dolly; all holding up a RED One with M-X sensor upgrade; RED Epic-X iust arrived. The Panaram is a gear-driven 600 pound tank of a dolly for extra stable shots. Its' turntable base also rotates 360˚ by gears. |
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| Podcasts: The Grip Guide | ||||||||||||||||||||||||
| I co-produced a series of podcasts called "The Grip Guide" in partnership with The Pixel Corps and SFSDF. Being a somewhat spontaneous un-scripted project, I shot them all in one day in San Francisco with the exception of the episode on HMI Lights, which was shot at a later date in Los Angeles by Dustin Kitchens. All eleven episodes can be downloaded for free from iTunes. Click HERE for a sample episode.
-- Paul Kalbach |
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